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8.
the OCTOPUSSY
who squeezes my curiousity into thrilling, delightful pieces:
CASINO ROYALE [Agent 007]
Mike Campbell
(USA, Storbritannien, Tjeckien 2006)
7.
the SOLARiS
who is shining so soulfully that my heart can't remember anything hotter:
SOMERSAULT
by Cate Shortland
with Abbie Cornish
(Australien 2004)
6.
the SUSPiRiA
which seems very very well-constructed, super-beautiful, a magic mystery far from clear what it tries to tell:
I'M A CYBORG BUT THAT'S OK
Chan-wook Park
med Su-jeong Lim
(SydKorea 2006)
9.
the RiNGU
which I've already experienced one, two, three or more times before, and still don't know how to be free from:
THE ROYAL TENENBAUMS
by Wes Anderson
(USA 2001)
0.
the BLACK NARCiSSUS
which I never saw this time (because I was too much in love with my longing to see it, more than with the work of seeing it), but still imagine to see soon:
Hundreds of things on the Gothenburg FILM FESTIVAL
(seems I'm only will become to have seen one film this year):
1.
the iKiRU
from which I learn the most, even if I don't find the film really exciting in itself:
MY KID COULD PAINT THAT
documentary about 4-year-old artist Marla Olmstead and her parents
and about another documentary about Marla's abilities
by Amir Bar-Lev
(USA 2007)
2.
the OTHERS
whom makes a serious reason for continuing my rare experiences outside the movie-screen:
HEROES
episode 1: "GENESIS" osv
tv-series created by Tim Kring
(USA 2007)
3.
the THEATRE
which occupied my present being body with real living phantasms:
[????]
av o med HOT LIPS FLAMINGO FOUR
performance om Pärlan o hennes Bageri-systrar
gästspel på Folkteaterns lilla scen i Göteborg
(Sverige 2008)
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