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8.
"the OCTOPUSSY"
who scares me a bit and squeezes my curiousity into thrilling, delightful pieces:
VIDEODROME
by David Cronenberg
with James Woods
(Canada 1983)
(seen it once before)
7.
"the SOLARiS"
who is shining so soulfully that my heart can't remember anything hotter:
HOTARU NO HAKA ["Grave of The FireFlies"]
Isao Takahata
(animation, Japan 1988)
6.
"the HYPERCUBE"
which seems very well-constructed, super-beautiful, a mysterious machine far from clear what it tries to tell:
THE CITY OF LOST CHILDREN
by Caro and Jean-Pierre Jeunet
(France 1994)
9.
"the RiNGU"
which I've already experienced one, two, three or more times before, and still don't know how to be free from:
GREY'S ANATOMY
first five episodes of the Fourth season
created by Shonda Rhimes
(USA 2007)
0.
"the VIDEODROME"
which I never saw all the way through (because I was more occupied with my dreams of seeing it, than with the work of actually watching it), but still look forward to complete for real:
JAG ÄR NYFIKEN - GUL
by Vilgot Sjöman
with Lena Nyman
(Sweden 1968)
(emellertid sett uppföljaren, Jag Är Nyfiken - Blå, tidigare)
1.
"the iKiRU"
from which I learn much about life, even if I don't find the film really exciting in itself:
L'ENFANT ["The Child"]
by Jean-Pierre Dardenne
(Belgium/ France 2005)
2.
"the PERSONA"
which tells me who I pretend to be, or even is a miRror I cannot escape - because it is my mask:
SILVERMANNEN
by Ulf Malmros
with Kjell Bergqvist o dyl
(Sweden 1996; consists of 3 tv-episodes)
3.
the THEATRE
which occupied my present being body with real living phantasms, outside the movie-screen:
me and my friends acting in a Drama-course
led by Susanna Källgren
and FACEBOOK
(discovering more and more...)
4.
"the Christina Lindberg"
which I forced myself to see while appreciating only the main actor, not the film:
CAPOTE
by Bennett Miller
with Philip Seymour Hoffman
(Canada/ USA 2005)
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